<\/p>\n
Demon Slayer: Kimetsu no Yaiba \u2013 Kalaja e Pafund\u00ebsis\u00eb<\/em> \u00ebsht\u00eb nj\u00eb arritje e jasht\u00ebzakonshme q\u00eb k\u00ebrkonte nj\u00eb sasi t\u00eb pamatshme pune dhe aft\u00ebsie nga ekipi i studios japoneze t\u00eb animeve Ufotable. Jo vet\u00ebm q\u00eb ishte Kalaja e Pafund\u00ebsis\u00eb <\/em>nj\u00eb hit i suksessh\u00ebm q\u00eb tregon baz\u00ebn e anime n\u00eb Amerik\u00eb, \u00ebsht\u00eb gjithashtu nj\u00eb histori shum\u00eb arg\u00ebtuese. P\u00ebr bashk\u00ebthemeluesin e Ufotable dhe Kalaja e Pafund\u00ebsis\u00eb<\/em>shkrimtari kryesor Hikaru Kondo, ajo pjes\u00eb e fundit ishte ndoshta m\u00eb e v\u00ebshtira p\u00ebr t’u realizuar – derisa ai kujtoi nj\u00eb histori p\u00ebr krijimin e nj\u00eb prej filmave m\u00eb t\u00eb nderuar t\u00eb Japonis\u00eb, Shtat\u00eb Samurai<\/em>.<\/p>\n Kalaja e Pafund\u00ebsis\u00eb<\/em> fut protagonistin e serialit Tanjiro Kamado dhe disa nga Trupat e Vras\u00ebsve t\u00eb Demon\u00ebve n\u00eb betej\u00ebn e tyre t\u00eb fundit, m\u00eb t\u00eb d\u00ebshp\u00ebruar, nd\u00ebrsa Mbreti Demon, Muzan Kibutsuji, i josh ata n\u00eb k\u00ebshtjell\u00ebn labirint. Me heronjt\u00eb tan\u00eb t\u00eb shp\u00ebrndar\u00eb n\u00ebp\u00ebr fusha beteje t\u00eb ndryshueshme, filmi p\u00ebrqendrohet n\u00eb nj\u00eb seri konfrontimesh ball\u00eb p\u00ebr ball\u00eb kund\u00ebr demon\u00ebve t\u00eb Rangut t\u00eb Lart\u00eb, duke testuar vendosm\u00ebrin\u00eb, lidhjet dhe kufijt\u00eb e secilit vras\u00ebs.<\/p>\n Kondo e dinte se duhej t\u00eb zgjidhte dhe t\u00eb zgjidhte \u00e7far\u00eb t\u00eb adaptonte nga manga p\u00ebr hir t\u00eb koh\u00ebs s\u00eb funksionimit. Por ai gjithashtu duhej t\u00eb ruante t\u00eb nj\u00ebjtin intensitet dhe ndikim nga materiali burimor p\u00ebr t’i sh\u00ebrbyer audienc\u00ebs s\u00eb tij t\u00eb p\u00ebrkushtuar (dhe t\u00eb \u00e7uditshme).<\/p>\n Kredia: \u00a9Koyoharu Gotoge\/SHUEISHA\/Aniplex\/ufotable<\/p>\n “Ne kemi Shinobu, kemi Zenitsu dy, dhe m\u00eb pas kemi Giu dhe Tanjo q\u00eb t\u00eb gjith\u00eb kan\u00eb betejat e tyre n\u00eb tre vende t\u00eb ve\u00e7anta, tre vendndodhje, tre beteja t\u00eb ndryshme,” i thot\u00eb Kondo Polygon n\u00eb nj\u00eb video-telefonat\u00eb, n\u00ebp\u00ebrmjet p\u00ebrkthyesit. “A mund t\u00eb p\u00ebrmendni ndonj\u00eb film q\u00eb ka pasur at\u00eb nivel kompleksiteti dhe e ka nxjerr\u00eb at\u00eb, dhe \u00ebsht\u00eb ende interesant?”<\/p>\n Gjat\u00eb zhvillimit Kalaja e Pafund\u00ebsis\u00eb<\/em>Kondo shqet\u00ebsohej se filmi mund t\u00eb kalonte leht\u00ebsisht n\u00eb nj\u00eb seri sekuencash luftarake pa asnj\u00eb tregim t\u00eb v\u00ebrtet\u00eb duke pasur parasysh t\u00eb gjitha luftimet n\u00eb k\u00ebt\u00eb hark. P\u00ebrgjigja erdhi nga historia e prapaskenave t\u00eb Shtat\u00eb Samurai<\/em>dhe v\u00ebshtir\u00ebsit\u00eb me t\u00eb cilat u p\u00ebrball\u00ebn skenaristi Shinobu Hashimoto dhe regjisori Akira Kurosawa gjat\u00eb zhvillimit t\u00eb filmit t\u00eb tyre historik t\u00eb vitit 1954.<\/p>\n \u201cAta b\u00ebn\u00eb Rashomon <\/em>s\u00eb bashku me Ikiru <\/em>dhe Shtat\u00eb Samurai<\/em>,\u201d shpjegon Kondo, \u201cP\u00ebrpara Shtat\u00eb Samurai <\/em>ishte nj\u00eb film, Hashimoto dhe Kurosawa po p\u00ebrpiqeshin t\u00eb b\u00ebnin nj\u00eb film Omniverse me tet\u00eb luft\u00ebtar\u00eb t\u00eb ndrysh\u00ebm samurai n\u00eb udh\u00ebtimin e tyre, dhe ata b\u00ebn\u00eb gjith\u00e7ka deri n\u00eb shkrimin e t\u00eb gjith\u00eb skenarit. N\u00eb biografin\u00eb e Shinobu, ai p\u00ebrmendi se ata shikuan skenarin dhe vendos\u00ebn, ‘E dini, ky nuk \u00ebsht\u00eb nj\u00eb film. Ne nuk kemi nj\u00eb film k\u00ebtu, jan\u00eb vet\u00ebm sekuenca aksioni, dhe ata e lan\u00eb n\u00eb sirtar projektin. Dhe ajo q\u00eb erdhi nga kjo ishte Shtat\u00eb Samurai<\/em>.\u201d<\/p>\n Kurosawa fillimisht e konceptoi Shtat\u00eb Samurai<\/em> si nj\u00eb dit\u00eb e vetme n\u00eb jet\u00ebn e nj\u00eb samurai, nga ritualet e m\u00ebngjesit deri n\u00eb nj\u00eb gabim fatal q\u00eb do ta detyronte t\u00eb b\u00ebnte seppuku p\u00ebr t\u00eb ruajtur nderin e tij. Por pas nj\u00eb k\u00ebrkimi t\u00eb gjer\u00eb, ai e braktisi iden\u00eb, duke ndjer\u00eb se i mungonin mjaft detaje konkrete historike. Kurosawa m\u00eb pas propozoi nj\u00eb qasje t\u00eb ndryshme: nj\u00eb film i nd\u00ebrtuar rreth pes\u00eb betejave t\u00eb samurajve t\u00eb frym\u00ebzuar nga shpatar\u00eb t\u00eb jet\u00ebs reale. Hashimoto filloi t\u00eb shkruante at\u00eb version, por Kurosawa p\u00ebrfundimisht e hodhi posht\u00eb gjithashtu, i shqet\u00ebsuar se nj\u00eb film i p\u00ebrb\u00ebr\u00eb nga pak m\u00eb shum\u00eb se “nj\u00eb seri kulmore” do t\u00eb ndihej i zbraz\u00ebt.<\/p>\n Zbulimi erdhi kur prodhuesi S\u00f4jir\u00f4 Motoki zbuloi tregime historike q\u00eb tregonin se, gjat\u00eb periudh\u00ebs s\u00eb Shteteve nd\u00ebrluftuese t\u00eb Japonis\u00eb, samurai ndonj\u00ebher\u00eb ruante fshatrat fshatare brenda nat\u00ebs n\u00eb k\u00ebmbim t\u00eb ushqimit dhe strehimit. N\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb, Kurosawa hasi n\u00eb nj\u00eb anekdot\u00eb rreth nj\u00eb fshati q\u00eb pun\u00ebsonte samurai p\u00ebr mbrojtje. Kjo ide u b\u00eb themeli i filmit t\u00eb tij.<\/p>\n \u201cDhe kur isha duke u zhvilluar Kalaja e Pafund\u00ebsis\u00eb<\/em>duke kaluar n\u00ebp\u00ebr skenar, duke u p\u00ebrpjekur t\u00eb vizatoj\u00eb skemat e tregimeve. M’u kujtua ajo anekdot\u00eb e vog\u00ebl dhe pash\u00eb sakt\u00ebsisht se p\u00ebr \u00e7far\u00eb po flisnin, “thot\u00eb Kondo. “K\u00ebshtu q\u00eb jam jasht\u00ebzakonisht, jasht\u00ebzakonisht i leht\u00ebsuar duke par\u00eb pritjen n\u00eb mbar\u00eb bot\u00ebn dhe m\u00ebnyr\u00ebn se si fansat kan\u00eb reaguar ndaj filmit.”<\/p>\n","protected":false},"excerpt":{"rendered":" Demon Slayer: Kimetsu no Yaiba \u2013 Kalaja e Pafund\u00ebsis\u00eb \u00ebsht\u00eb nj\u00eb arritje e jasht\u00ebzakonshme q\u00eb k\u00ebrkonte nj\u00eb sasi t\u00eb pamatshme pune dhe aft\u00ebsie nga ekipi i studios japoneze t\u00eb animeve Ufotable. Jo vet\u00ebm q\u00eb ishte Kalaja e Pafund\u00ebsis\u00eb nj\u00eb hit i suksessh\u00ebm q\u00eb tregon baz\u00ebn e anime n\u00eb Amerik\u00eb, \u00ebsht\u00eb gjithashtu nj\u00eb histori shum\u00eb arg\u00ebtuese.<\/p>\n","protected":false},"author":1,"featured_media":3158,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[30],"tags":[2193,2188,2191,2190,2192,2129,1366,569,2187,2189,805],"class_list":{"0":"post-3157","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-reviews","8":"tag-castle","9":"tag-demon","10":"tag-frymezoi","11":"tag-gurthemeli","12":"tag-infinity","13":"tag-japoneze","14":"tag-kinemase","15":"tag-kryesor","16":"tag-shkrimtari","17":"tag-slayer","18":"tag-zbulon"},"_links":{"self":[{"href":"https:\/\/beteja.com\/index.php\/wp-json\/wp\/v2\/posts\/3157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beteja.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/beteja.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/beteja.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/beteja.com\/index.php\/wp-json\/wp\/v2\/comments?post=3157"}],"version-history":[{"count":0,"href":"https:\/\/beteja.com\/index.php\/wp-json\/wp\/v2\/posts\/3157\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/beteja.com\/index.php\/wp-json\/wp\/v2\/media\/3158"}],"wp:attachment":[{"href":"https:\/\/beteja.com\/index.php\/wp-json\/wp\/v2\/media?parent=3157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/beteja.com\/index.php\/wp-json\/wp\/v2\/categories?post=3157"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/beteja.com\/index.php\/wp-json\/wp\/v2\/tags?post=3157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}